With a major Australian distributor changing its name to that of the studio owning it, is the line between production and distribution disappearing? … Continue readingMonopoly Money

From studios down the supply chain to cinemas, profits are evaporating and there’s little elbow room for the kind of investment digital cinema needs. … Continue readingThe End of Film

Will the local family-owned single screen cinema flourish, freed from the shackles of a handful of screenings of Spider Man and able to play cult movies from midnight to dawn without paying a cent for film prints? … Continue readingEnd of the Line

A historic experiment in film and media was all ready to take place before a battle erupted between producers and the union. Drew Turney finds out more. One of the

Continue readingCreative Free For All

Accepting projects on everything from traditional film to CD ROMs full of Final Cut pro data, they still have to deliver cans of film reels to distributors and cinemas, so how do they transform our mishmash of data and images? … Continue readingPostmaster

Movies are magic because they take us somewhere. They transport us to every corner of the earth — even places that don’t exist. Everybody knows the art of cinema or

Continue readingCut On Location